Sonya Umanskaya

Concrete Echoes + Walk

Sonya Umanskaya
Shout into the crowd: Artists Work in Horeca
di 10 sep - 17:30 - 18:30
di 10 sep 2024
17:30 - 18:30

Join artist Sonya Umanskaya for a walk by the Atlantic Wall - a coastal defence system built by Nazi Germany during World War II along the European west coast. A large system of these barriers and bunkers runs through the city of Den Haag, many of which remain in parts of the city to this day.

With this event Sonya invites you to connect with a layer of the city that is mostly invisible, looking into the artefacts of the past which shaped the present landscape.

NOTE: please bring your own bike for this event!

Programme schedule

We start at Theater aan het spui with Sonya’s work Concrete Echoes, part of the exhibition Shout into the Crowd: Artists work in Horeca. Here she will give an introduction to her project and to the history of the Atlantic Wall.

This will be followed by a 20 minute bikeride to the Landgoed Clingendael where part of the Atlantic Wall is situated. There, Sonya will give a guided walk around the site.

Extended 10 September programme

As part of the exhibition, 10 September features a full programme combining Sonya's installation, the guided walk and a performance by Bjarte at our theatre Zaal 3. More info and tickets for the performance can be found here:

tens:ding [bending over backwards] - Bjarte Wildeman

The full 10 September programme looks as follows:

Concrete Echoes - Sonya Umanskaya, Theater aan het Spui

17:30 - 17:50 Introduction by Sonya
17:50 - 18:10 Bikeride to Landgoed Clingendael
18:10 - 18:30 Guided walk

18:00 - 20:00 Dinner served at Zaal 3 – you can make a reservation together with buying your ticket(s)

tens:ding [bending over backwards] - Bjarte Wildeman, Zaal 3

20:30 - 20:40 Introduction by John de Weerd (programmer of Zaal 3)
20:40 - 21:15 Performance
21:15 - 21:30 Aftertalk with Bjarte (in the theatre)

About Concrete Echoes

Concrete is the second most used material in the world and the most destructive. Serving not only in contemporary buildings but also military architecture, it becomes a reminder of wartime. But what happens to the memory of war when it’s over, when it slowly fades away, and the bunkers start to crumble?

By exploring the Atlantic Wall and the concrete used in its construction, Umanskaya aims to examine the impact of military structures on civilian landscapes amid ongoing global conflicts.

As a Russian citizen affected by the Russia-Ukraine war, she connects her experience with The Hague’s political environment, questioning how its wartime heritage influences contemporary politics and local memory.

About Sonya Umanskaya

Sonya Umanskaya is a graphic designer and artist, mostly exploring the topics of collective memory, historical artefacts and architecture.

@s_umanskaya